The ‘National Childproofing Center’ is halfway through rebranding when Hector and I arrive. It’s difficult to tell exactly what it was they were pretending to be, previous. Murals cover the exterior walls, each depicting a photorealistic monkey riding a skateboard through a generic cartoon environment. Each monkey has a thought bubble and each thought is “RAD!” All of the monkeys are holding ice cream and what might be candy or prescription pills. A banner has torn loose on one side and whips about in the wind. It takes me a moment to read it:

“Tell your parents: all of this is FREE!”

The banner catches on the razor wire fence between the parking lot and the ‘Center’ proper. A siren sounds and lights flash. A stern voice blares over the speaker system: NO NO NO.

It all quiets down again after a few moments- someone must realized it was a false alarm. I heave my pack over my shoulder and hold Hector, wriggling, in the other arm. I approach the fence, show my ID, and am let in, no problem.

‘Legally speaking, yes, ‘The National Childproofing Center’ is required to stand by all of their offers but they must be claimed by children and children rarely make it inside without some sort of legally dubious work on the part of adults. The few ‘success stories’ have all settled out of court- some for quite a bit of money but none for ‘real life hoverboards’ or ‘a super sharp flaming ninja sword’ or even ‘infinite ice cream on demand delivered by a talking dog.’

The fact of the matter is that ‘The National Childproofing Center’ is willing to lose some money if it means maintaining their stellar reputation for authenticating the childproofing standards of corporate clients. Parents can rest easy when they see the ‘NCC Guarantee’ seal on a vacuuming robot or an automatic litterbox, knowing neither will grind up, burn, or otherwise consume their curious toddlers. If the occasional mutant talking dog or two escape and breed in the wild around ‘The National Childproofing Center,’ well, that’s a price we pay as a society for the safety of our children.’

The ‘NCC’ is actually paying people to take the dozen or so monkeys they stocked, but I’m not really ready to be a parent to something quite so mobile and intelligent so I turn down the offer of a thousand bucks and a strange new sibling for Hector and eat some cheap ice cream and fall off a skateboard before I decide it’s probably time to go.

I’m approaching the ‘heir lock,’ a stupid pun for a system that’s designed to keep children from rushing the exit as adult visitors leave, when the straps of my pack pull back hard on my shoulders. I lose my balance and send Hector scurrying from my arms as I desperately try to separate myself from whatever has grown sentient inside. Alarms sound as the pack squirms across the floor and nearby screens, which had previously been showing a sneak preview of some new kids movie, flash over to an x-ray livestream of the scene as it’s playing out. From the looks of it, a small skeleton is attempting to escape from my backpack and it’s only until after it finally pushes the clasp open that I realize it’s just a living child.

“I DID IT!” the child screams as it’s surrounded by ‘NCC’ security, “You have to give me my monkey now! You have to give me my monkey!”

A previously inconspicuous woman runs to join the kid and shouts much the same thing as I quietly gather my empty pack and herd Hector back into my arms. I’m scooching backward, trying to decide whether I’m actually liable for anything that’s just happened, when I run into a man standing behind me. He drops a garbage sack on the floor. It’s my stuff- the stuff that was supposed to be where the child was.

I recognize the man and I recognize the woman as well when I give her a harder look,. They talked to me at the diner this morning- friendly, I assumed, but likely just distracting me while their kid climbed into my backpack.

The man puts a hand on my shoulder. He isn’t even looking at me- he’s drinking the chaos in with a growing smile.

“You’ll understand,” he says, “When you have a kid of your own.”

-traveler

‘Speaking of things that should have been retired years ago, the removal of ‘The Deep Face’ in Lake Michigan must represent a real cost/reward conundrum for the state, given that it makes headlines for swallowing someone at least once a year and survives the uproar of concerned citizens that follows each death. Seeing it down there, lying heavy against the dark silt floor, one must admit that dredging it up, even piece by piece, would be an expensive undertaking.

An art installation gone awry, ‘The Deep Face’ is only a danger when it’s on the move and, yes, it does move about. Made of rebar and cement, it’s flat and wide enough that certain tides and currents can carry it along the floor. Regarding the drownings, the leading hypothesis is that water pulls through ‘The Deep Face’s’ gaping mouth as it shifts, creating a strong, localized, downward current. Once inside, the mass of an average adult body is enough to disrupt the current, causing ‘The Deep Face’ to settle on its unlucky victim. The body’s waterlogging, its decomposition, eventually allows ‘The Deep Face’ to move again. This is why a new body on the shore seems to coincide with the taking of a new victim. A body means the lake will be safe for a while.

The mobility of ‘The Deep Face’ has rendered nearly all warning signs about it obsolete. Its victims are spaced too far apart to instill any sort of lasting fear in deep lake swimmers. Its movement has proven too erratic to track. In 2018, it was revealed that state officials had successfully seeded an urban legend into the surrounding communities, one that suggested ‘The Deep Face’ killed only those who had somehow avoided justice for crimes they ought to pay for. Unfortunately, the man who orchestrated this rumor was taken by ‘The Deep Face’ in 2011, just three years after planting the story. His death only lends credibility to the lie.  

-an excerpt, Autumn by the Wayside

–//–

‘The Human Interference Task Force was a short-lived team created by the Department of Energy to brainstorm ways in which the people of the early 1980s could warn the people of, say, the 5080s that they’d been stashing a whole lot of dangerous radioactive waste in the mountains. The difficulty was that the radioactive danger would likely outlive the symbols and languages familiar to 1980s humans. A 5080s’ archaeologist might discover a series of neon skulls on a lead bunker and think that they found the tomb of some psychadelic American pharaoh, not a cancer-causing trash pit.

Among the solutions floated by the Human Interference Task Force were color-changing cats and nuclear religions: pretty cool and all but, surprise surprise, the DOE didn’t jump to fund these ventures and now, in 2022, we still mostly just lump our nuclear waste into the mountains and hope for the best. To be fair, at the rate we’re going, there won’t be humans to worry about in 5080.

It’s a shame, really, that ‘The Dangerous Place Off I-11’ wasn’t discovered until the late nineties. Someone before us really knew what they were doing.’

‘The Dangerous Place’ itself is currently off-limits due to a military quarantine, but a fairly sizeable stretch of road leading to the epicenter remains open to the public simply because it’s good at what it does and cheaper than what would be required for expanding the perimeter. Hector and I brave it, understanding that there is nothing particularly dangerous about the warnings themselves except that, past the military, there are rumors of the cautionary measures becoming so traumatic that the mind reels to consider what they’re acting as wards for.  

The safer stuff is all signs and symbols, carved into rock, mostly, but occasionally made up of warped trees and brush. It’s a pretty eclectic collection under the broad theme of misery. Bipedal figures radiate lines, lose limbs, engorge, and explode. Walking past at a leisurely pace makes it seem as though the carvings squirm and writhe. Running past is known to cause nosebleeds and panic attacks. Driving is restricted on the road to ‘The Dangerous Place,’ for obvious reasons.

The symbols underneath remain untranslated despite a fairly robust effort from amateur and professional codebreakers alike. The only thing everyone can agree on is that it’s written in a way that conveys more violence. It reads as hostile without having to go into the details. I run my finger along one, trying to imagine the civilization that left them. Hector hisses and pees in the brush.

We make camp in an alcove that has been the subject of some fairly heavy modern graffiti- folks trying to add blood and fire and lasers to emphasize the torment of the ancient figures in the rock, or else trying to explain what’s happening in the scenes, or else just trying to hook up with the sort of people that call numbers painted on public property. The wind picks up around sunset and whistles through the rocks in a way that sounds like shrieking. Of animals. Of people. Of something else entirely. ‘The Dangerous Place Off I-11’ pulls no punches.

It’s an uneasy night’s sleep.

You don’t read as much about the satisfaction one feels when leaving ‘The Dangerous Place.’ The warnings work in reverse, soothing the travelers as they put distance between themselves and whatever lies a few miles off I-11. I wish more of the world operated on such clear terms. I’ve always been something of a scab-picker myself.

-traveler

‘Speaking of things that should have been retired years ago, the removal of ‘The Deep Face’ in Lake Michigan must represent a real cost/reward conundrum for the state, given that it makes headlines for swallowing someone at least once a year and survives the uproar of concerned citizens that follows each death. Seeing it down there, lying heavy against the dark silt floor, one must admit that dredging it up, even piece by piece, would be an expensive undertaking.

An art installation gone awry, ‘The Deep Face’ is only a danger when it’s on the move and, yes, it does move about. Made of rebar and cement, it’s flat and wide enough that certain tides and currents can carry it along the floor. Regarding the drownings, the leading hypothesis is that water pulls through ‘The Deep Face’s’ gaping mouth as it shifts, creating a strong, localized, downward current. Once inside, the mass of an average adult body is enough to disrupt the current, causing ‘The Deep Face’ to settle on its unlucky victim. The body’s waterlogging, its decomposition, eventually allows ‘The Deep Face’ to move again. This is why a new body on the shore seems to coincide with the taking of a new victim. A body means the lake will be safe for a while.

The mobility of ‘The Deep Face’ has rendered nearly all warning signs about it obsolete. Its victims are spaced too far apart to instill any sort of lasting fear in deep lake swimmers. Its movement has proven too erratic to track. In 2018, it was revealed that state officials had successfully seeded an urban legend into the surrounding communities, one that suggested ‘The Deep Face’ killed only those who had somehow avoided justice for crimes they ought to pay for. Unfortunately, the man who orchestrated this rumor was taken by ‘The Deep Face’ in 2011, just three years after planting the story. His death only lends credibility to the lie.  

-an excerpt, Autumn by the Wayside

‘Take one of those fancy libraries, the ones with the rolling ladder for reaching high shelves. Then, take out all the books and all the warm lighting. The shelves are now washers and dryers. The lighting is buzzing and sterile. The fireplace is a decrepit coin machine and the air is crowded with detergent and half-concealed sweat. That’s ‘The Nation’s Largest Coin Laundry’ for you- nothing at all like a fancy library except for those rolling ladders which, in the chemical atmosphere of ‘The Laundry,’ seems more hazard than luxury.

There’s a lot hazardous about ‘The Laundry,’ actually. It’s been the cause of several fires, both internally due to shorting machines and externally due to its tendency to emit smoldering balls of lint from long-neglected exhausts. People have fallen from the ladders onto the tile floors and there has been at least one recorded case of a customer slipping in blood from a fall and falling themselves. Then, of course, there’s the shocks. ‘The Laundry’ has so many dryers churning so many tons of clothes that a deadly electrostatic phenomenon tends to build in odd places and stop the hearts of unlucky patrons who happen to press the wrong vending machine button or brush their hand against a bolt in the plastic-seated waiting area. It seems like the sort of place that should have been shut down years ago.

An even stranger secondary phenomenon keeps ‘The Laundry’ alive: it’s a place where things come together. Much has been hypothesized about the effects of ‘The Laundry’s’ latent electrical fields on the human brain- that they act as some sort of neurological boost. Just as much has been written about ‘The Laundry’ as an archetype- something that triggers human behavior from the shadowy back brain, either because laundromats have long been portrayed as liminal enough to stir wisdom, or because ‘The Laundry’ has been granting quiet revelations for so long that the idea has worked its way from the individual subconscious to the collective.’

So, I have a sort-of affair at ‘The Laundry.’ Sort-of in the sense that I know it won’t last on the outside. Maybe that’s the nature of affairs. I don’t know. I’ve never had one before.

So I have this sort-of affair in ‘The Laundry,’ sleeping on piles of warm clothes and wandering the complex without any goal but to see the thing and to hold another person’s hand. We get lost and find our way back and get lost again. A laundromat brings people together, whether they want it to or not.

After a while, though, the detergent starts to irritate Hector’s nose and I start to think about how Autumn by the Wayside has an epilogue, already- that no amount of stalling will keep me from it. The book seems to grow in the middle but it has an ending. There’s no point in drawing things out.

So, the affair ends and I find myself back in the autumn cold, kicking gravel across the parking lot and slowly ruining my sneakers. ‘The Laundry’ belches fire in the dark. It radiates heat and humidity to such an extent that the ecosystem is changed for a mile around it. Hector and I camp in that weird nature and hurry away in the morning before anything can wake up before us.

-traveler