‘There was no intention to create ‘The Doll Slum’ when ‘The East Coast Doll Museum and Shop’ rolled out its volunteer program for local kids, but here we are, one doll slum richer for those good intentions. It seemed like a good idea on paper: local students were tasked with creating homes and backdrops for dolls that were a little too old- a little too worn- for proper displays within the museum. Those projects were cute, of course. They were kitschy.
Most of all, they were structurally unsound.
More and more dolls poured into the museum and, as the curators for main display specimens became increasingly selective, the vast majority of the new arrivals flooded the children’s display. Dolls were packed tightly into rooms meant for one or two and as the weak, child-made infrastructure failed under their weight, many dolls were forced to pose outside. Despite the obvious flaws in the initial structure, child labor is still the main source of upkeep in ‘The Doll Slum’ and so the cycle of detriment continues. The uneducated and unpaid are exploited for their labor and the needy are left without the space to thrive.’
-an excerpt, Autumn by the Wayside
